 With this album, The Doors touched on the decade’s surrealism with a Fellini-esque circus, but still escaped the psychedelia that typified its generation. The cover’s zoo of characters were a mix of professionals, amateurs and friends. The juggler is the photographer’s assistant. The trumpet player in the background was a cab driver who agreed to pose for $5 right before the image was shot.
With this album, The Doors touched on the decade’s surrealism with a Fellini-esque circus, but still escaped the psychedelia that typified its generation. The cover’s zoo of characters were a mix of professionals, amateurs and friends. The juggler is the photographer’s assistant. The trumpet player in the background was a cab driver who agreed to pose for $5 right before the image was shot.Saturday, September 29, 2007
1967 The Doors, Strange Days
 With this album, The Doors touched on the decade’s surrealism with a Fellini-esque circus, but still escaped the psychedelia that typified its generation. The cover’s zoo of characters were a mix of professionals, amateurs and friends. The juggler is the photographer’s assistant. The trumpet player in the background was a cab driver who agreed to pose for $5 right before the image was shot.
With this album, The Doors touched on the decade’s surrealism with a Fellini-esque circus, but still escaped the psychedelia that typified its generation. The cover’s zoo of characters were a mix of professionals, amateurs and friends. The juggler is the photographer’s assistant. The trumpet player in the background was a cab driver who agreed to pose for $5 right before the image was shot.
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9/29/2007 05:09:00 AM
 







